RobertLenkiewicz.com
Prints - a list of prints published to date
This page contains a record of the prints that Robert Lenkiewicz produced, both during his life, and afterwards (posthumously). The list is believed to be comprehensive.
Some prints will have some minor details or specifications missing which need to be ascertained and added, but otherwise most of the general information is present.
Posthumous prints are mostly listed on the right-hand side of this page, aside from a few exceptions which are on this side of the page (these are usually prints that were released during his lifetime and then also re-released posthumously).
List
Painter with Esther - Aristotle (aka Esther Standing)
Medium: Silkscreen
Quantity: 295
Image Size: 737 x 603 mm
Signed: by the artist
Diogenes
Medium: Lithograph
Quantity: 250
Image Size: 50 x 45 cm
Signed: by the artist
The Painter in the Wind, 3.50 a.m.
Type: Lithographic print
Quantity: 500
Image Size: 19 x 15 inches
Signed: by the artist
Painter With Women - St Antony Theme (depicting Esther)
Medium:Print on paper
Quantity: 475
Paper Size: T.B.C.
Image Size: 26 x 19 inches
Year: 1990's
Esther with Silver Locket
*Posthumous release*
Medium: Lithograph
Quantity: 500 (embossed signature)
Paper Size: 60cm x 35cm (minimum)
Image Size: 23.5 x 13.5 inches
Year: 2003
Paper Crowns - The Painter with Mary
Medium: Silkscreen
Quantity: 250
Paper Size: T.B.C.
Image Size: 19 x 25 inches
Year: late 1990's
Self Portrait Holding Rose
Medium: Lithograph
Quantity: 500 (15 Remarques) signed by Robert Lenkiewicz
Paper Size: 22 x 22.5 inches
Image Size: 18.5 x 18.5 inches
Paper: Sequel Satin 300grm
Year: 1998
The Painter with Moi
Medium: Lithograph
Quantity: 450 copies signed by Robert Lenkiewicz
plus 100 unsigned copies
Paper Size:T.B.C.
Image Size: 11 x 22 inches
Year: T.B.C.
Patti Avery in orange dress (project 18 Daemon series)
Medium: 6 colour litho on textured stock
Quantity:10
Framed Size: 34 x 37 inches
Image Size: 10 x 24inches
Year: Private print comissioned by a Birmingham gallery, published exclusively by the artist whilst alive but released posthumously
The Painter with Anna - Rear view
Medium: Silkscreen
Quantity: 475
Paper Size: 36 x 30 inches
Image Size: 30 x 23.5 inches
Paper: Velin Arches Blanc 400gsm
Year: late 1990's
Note: Also printed posthumously as canvas prints, from 2011 (edition of 475 canvases, with two size options of A1 or A2)
Self Portrait with Self Portrait at Ninety
This is a print of the 1982 painting.
Quantity: 585 lithographs, and 100 silkscreens
Paper size is 94cm x 68cm (image Size: 75cm x 51cm)
Each print signed by the artist in pencil
Year: circa late 1990's
Karen with Bronze Shawl
Medium: Lithograph
Quantity: 500
Size: approx. 50cm x 50cm
Year: 1998
Study of Mary
Medium: Lithograph
Edition quantity: 350, plus 50 proofs
Paper Size: 60cm x 50cm
Image Size: 41cm x 35cm
Signed by the artist including the 50 proofs
Study of Karen (a.k.a. Karen Standing)
Quantity: 500 (embossed signature)
Artist's Proofs: 50
Medium:Lithographh
Image Size: 10 x 29 inches
Paper: Ideal Premier Silk 400gsm
Year: 1990's
Anna in the Green Dress
Medium: Silkscreen
Quantity: 195
Paper Size:
Image Size: 59 x 59 cm
There is also a canvas version, reprinted posthumously after 2011, in sizes A1 and A2
Bella with the Painter
Medium: Lithograph
Quantity: 550
Paper Size:
Image Size: 50 x 50 cm
Year: TBC
Warren Woods
Medium: Silkscreen
Quantity: 375 (24 Artist's Proofs, 15 Remarques)
Paper Size: 20 x 47 inches
Image Size: 11 x 39 inches
Paper: Velin Arches Blanc 400gsm
Self-portrait at easel
Medium: Lithograph
Quantity: 500 (15 Remarques)
Signed: by the artist
Paper Size: 56 cm x 47.5 cm (approx)
Image Size: 15 x 12.5 inches
Paper: Sequel Satin 300grm
Year: 1998
The Painter with Lisa
Medium: Silkscreen
Quantity: 395
Image Size: 812 x 749 mm
Signed
Chairs
Medium: Silkscreen
Quantity: 195
Paper Size: TBC
Image Size: 390 x 762 mm
Also reprinted posthumously as canvas prints, an edition of 475 copies.
The Dance (aka The Painter With Karen)
Medium: Silkscreen
Quantity: 495
Image Size: 635 x 737 mm
Year: 1990's
A posthumous version of this was
re-printed as canvas prints after 2011 by the Lenkiewicz Foundation.
Esther - Rear View
Medium: Stochastic screened lithograph
Quantity: 250
Image Size: 40 x 53 cm
Paper: Ideal Premier Silk
Year: 1990's
2nd Study of Esther (A.K.A. Gas Fire version)
Medium: Silkscreen
Quantity: 275
Paper Size:
Image Size: 762 x 558 mm
Year: Painted 1992, print released several years later
Roxana (rear view). Daemon series / project 18)
Medium: Silkscreen on paper
Quantity: 375
Image Size: 838 x 558 mm
A posthumous version of this image (albeit, an unfinished earlier version of this painting) was reproduced as canvas prints after 2011, which was produced in two sizes: A1 and A2
Esther Seated
Medium: Silkscreen
Quantity: 475
Paper Size:
Image Size: 24 x 24 inches
Paper: Velin Arches Blanc 400gsm
Karen Seated
Medium: Lithograph
Quantity: 475
Paper Size: TBC
Image Size: 49 x 36 cm
Silver Lake
Medium: Lithograph
Quantity: 475
Paper Size: TBC
Image Size: 24 x 24 inches
Anna with Black Shawl
Medium: Lithograph on paper
Quantity: 475
Paper Size: TBC
Note: This was also printed posthumously as canvas prints, after 2011, as a limited edition of 475 canvases.
Anna with Paper Lanterns
Medium: Lithograph
Quantity: 475
Image Size: 533 x 367 mm
Paper: Queen of Arts 400gsm
Year: Painted 1996, print released late 1990's
Note: This painting was also reprinted posthumously as canvas prints, after 2011 by TLF (edition of 475 canvases, with two size options of A1 or A2).
Karen in Blue
Medium: Lithograph
Quantity: 475 (plus 25 Artist's Proofs)
Image Size: 345 x 89 mm
Paper: Ideal Premier Silk
Year: December 2000
Study of Lisa
Medium: Lithograph
Quantity: 750
Image Size: 15.5 x 15.5 inches
Paper: TBC
Study of Anna
(awaiting image)
Medium: Lithograph
Quantity: 750
Image Size: 15.5 x 15.5 inches
Paper: TBC
Esther
(awaiting image)
Medium: Silkscreen
Quantity: 195
Image Size: 762 x 597 mm
Paper: TBC
Anna Seated
Medium: Lithograph
Quantity: 475
Paper Size:
Image Size: 525 x 395 mm
Self-Portrait
Medium: Lithograph
Quantity: 450
Signed: In pencil by artist
Paper Size: 38cm x 38cm (approx)
Paper: Sequel Satin 500grm
Year: Published by Barbican Gallery in 1990
Study of Fiorella in Embroidered Shawl
Medium: Lithograph
Quantity: 450 (245 were signed by Robert Lenkiewicz and 205 are
embossed signatures)
Paper Size: 50 x 53 cm (image size:
approx 40 x 40cm)
Year: 2003 (released posthumously)
Anna (Stained Glass Window)
Medium: Silkscreen
Quantity: 375
Paper Size:
Image Size: 60 x 51 cm
Paper: TBC
Self Portrait - from Project 10
Medium: Lithograph
Quantity: 500 (15 Remarques) signed by Robert Lenkiewicz
Paper Size: 20 x 33 inches (approx)
Image Size: 16 x 28 inches
Paper: Sequel Satin 500grm
Year: 1998
The Barbican Fishermen
Medium: Stochastic screened lithograph
Quantity: 250
Paper Size: approx 64 x 52 cm
Year: 2000
Issued with a certificate
Snowy
Medium: Giclée print
Quantity: 50 signed and 300 unsigned
Image Size: 10 x 10 inches
Year: 2004
Also reprinted posthumously as Giclee prints, with an embossed signature, at a quantity of 475.
Mill Lane Studies
Medium: Lithograph
Quantity: 99
Image Size: 18 x 12 inches
Year: June 2006
Study of Esther
Medium: Lithograph
Quantity: 299
Image Size: 22 x 22 inches
Year: June 2006
Study of Anna
Medium: Giclée print
Quantity: 295
Paper Size:
Image Size: 21.5 x 18.5 inches
Paper: Somerset Velvet 330gsm
Anna in Blue
Medium: Limited-edition print on paper
Quantity: 500, signed by Robert Lenkiewicz
Paper Size: 17.7 x 20.35 inches
Image Size: 15 x 15 inches
Year: Late 1990's
Buy prints!
You can now buy Robert Lenkiewicz prints HERE
Posthumous prints
The Lenkiewicz Foundation received the copyright for Robert Lenkiewicz's work in 2010. Since then a number of prints, on both paper and canvas, have been produced posthumously by TLF. The list of posthumous prints, below, is not comprehensive due to some new prints still being produced. However, updates are added periodically.
Note: Besides the post-2010 prints, there were also a couple of prints that were produced posthumously immeditely after 2002. These are listed on the left.
Issues regarding canvas prints
The modern-day trend of canvases as 'art prints' divides opinion in the fine art world. Many of the mass-produced canvases have suffered from issues such as fading after only a few years of being made. However, most consumers are oblivious to any downsides, and mass-market consumption of them is currently huge.
As for the Lenkiewicz posthumous prints that are printed on canvas, I am not aware of any issues regarding fading (yet!). Although, there are other issues connected with them:
Drop in value
Sadly, many of the posthumous Lenkiewicz canvases have significantly fallen in value since the first ones were produced and sold just several years ago - with many of the canvases falling by more than half the original price that buyers had paid for them!
This is a concern, as most of the buyers will have unwittingly bought these canvases on the assumpsion that they will be a sound investment - or at the very least, not expect them to fall significantly in value.
Besides this, there are smaller issues too. One being that as these canvases lack any white border around the edge of the picture, it means that Robert's printed signiture has to be placed within the actual picture area, and thus covering a small section of the painting. This type of detail may not concern too many buyers of Lenkiewicz's art, but it is an aesthetic factor that some people in the art world describe as a compromise, and would be reluctant to see them as prints with a 'proper' signature. Especially when it has been simply plonked on top of the picture area, forcing it to become part of the painting - unlike paper prints which have a plain border in which to place a signiture.
Canvas prints may be ideal for the cheaper mass-market prints that are produced in huge numbers and sold on the high street, etc. But as for using them to create specialist limited-edition short-run quantities, requiring the artist's signature for example, traditional paper prints still remain the better option.
Posthumous prints list
(see also left-hand column for some prints that were re-released posthumously in addition to their original release).
The Bishop Startled.
Painted 1972
Stretched canvas of 475 editions.
Two sizes were produced: Size 1 = 597mm x 597mm. Size 2 = 844mm x 844mm. Released after 2010
The Glue Sniffer (A.K.A. Syd Sniffing Glue).
Painted 1988
Canvas edition of 475 canvas prints.
Size: 844mm x 844mm. Released after 2010
The Painter with Janine Pecorini, St. Antony theme
Paper Edition of 150, size: 24” x 25”
Framed Deluxe Edition (paper mounted onto board) of 49. Image size: 33” x 34”
Year: 2011
The Painter with Benedikte,
St. Antony theme
Paper Edition of 150, size: 20” x 30”
Deluxe Edition of 49 (paper mounted onto board). Image size: 28” x 41”
The Painter with Karen in the Studio
Paper Edition of 150. Size: 27” x 24”
Deluxe Edition of 49 (paper mounted onto board). Image size: 33” x 37”
Release date: 2011
The Painter with Roxana,
St. Antony theme.
Paper Edition of 150, size: 16” x 16”
Deluxe Edition of 49 (paper mounted onto board). Image size: 24” x 24”
Release date: 2011
The Painter with Karen Ciambriello. St. Antony theme.
Painted 1990's
Paper Edition of 150, size: 20” x 24”
Deluxe Edition (paper mounted onto board) of 49. Image size: 24” x 30”
(framed size: 32" x 38").
Release date: 2011
Self-Portrait as St. Antony, listening.
Painted 1990's
Paper Edition of 150, size: 22” x 22”
Deluxe Edition of 49 (paper mounted onto board). Image size: 30” x 30”
The Temptation of St Antony
Giclée on paper.
Size: 235mm x 840mm
Paper: 315 gsm Innova Fine Art cotton
Bears an embossed signature of the artist
Faraday
Medium: Giclée print
Quantity: 395
Paper Size: Circa, 20 x 20 inches
Image Size: 16 inches x 16 inches
Year: 2004. Printed posthumously with an embossed signature. Some, if not all, are also signed by Faraday.
Posthumous prints by F.O.R.L
(Family of Robert Lenkiewicz)
FORL have issued the following prints posthumously:
Karen Ciambriello in Orange Dress
(detail from 'The temptation of St. Antony')
Size of print: 45cm x 27.5cm
Image area (approx): 37cm x 20cm
Notes: A small number of these prints are hand signed by Karen Ciambriello.
Self-Portrait, Draped in Union Jack
(detail from 'The Deposition', 1988)
Size of print: 45cm x 32cm
Has a printed Lenkiewicz signature in the border
Note: These prints are produced under the copyright exception of Section 16, 3a, of the Copyright, Designs and Patents Act, as being 'Less than a substantial part' of the original image.